News from Stephen Schwartz to Stephen Sondheim to Broadway and Off Broadway. Tate Theatrics Producing and Marketing clients and productions.
Tate Theatrics: Media Marketing & Advertising
BBC Studios has teamed up with Olivier Award winning producers of London’s longest running immersive theatrical production The Great Gatsby to produce an immersive theatrical production based on the long-running television series Doctor Who.
Tate Theatrics: Media Marketing & Advertising
The Great Gatsby is currently the UK's longest running immersive production and has become an international phenomenon, with productions across three continents. Due to overwhelming demand, audiences can now book for the show and the recently launched dining experience through the summer until 26 July.
Tate Theatrics: Media Marketing & Advertising
“A BUSHELFUL OF DELIGHTS!
CLEVER, CATCHY SONGS, WONDERFULLY SILLY BOOK,
AND ADORABLE, HILARIOUS PERFORMANCES!
A THOROUGHLY WINNING TRIBUTE!” – The New Yorker
Tate Theatrics: Media Marketing & Advertising
From an acclaimed four-star London production and The New York Times Critics’ Pick by Ben Brantley, Operation Crucible returns Off-Broadway for a limited engagement. “GRIPPING! SEARING POETRY THAT ILLUMINATES!” – Ben Brantley, The New York Times
Tate Theatrics: Media Marketing & Advertising
Straight from a UK/Irish tour comes the Off-Broadway debut of Private Peaceful by the celebrated author of War Horse, Michael Morpurgo. “A-FOUR STAR TOUR DE FORCE PERFORMANCE
IT’S EXHILARATING TO WATCH, LIKE SYBIL ON STEROIDS!” – Time Out New York
Tate Theatrics: Media Marketing & Advertising
The New York benefit consists of music, comedy, and commentary at The Cooper Union’s Great Hall. "James and I have been increasingly horrified at what’s going on with these families struggling at the border." says Seth Rudetsky. He added that the scheduled Concert For America will coincide with the coming day of national protests, and will benefit the non-profits working with families at the southern border.
Tate Theatrics: Media Marketing & Advertising
The Delegation of the European Union to the United States presents the inaugural New York City arts and culture festival showcasing consequential new voices and works emanating from across Europe. "The formula we're developing for this Pan-European festival has us showcasing the work of individual countries every year, and experiencing the changing perspectives and priorities of diverse artists from these countries in a broader European and global context.”
Tate Theatrics: Creative Producer
With Music & Lyrics by Backstreet Boy Howie Dorough, Book by Matte O'Brien (The Wonderful Mr. & Mrs. O'Leary, Peter & I, White Noise) and Producer Tate Theatrics (The Blue Flower), HOW WE DO is a new musical about a biracial teen finding his place and acceptance in the awkward halls of middle school as he and his new-found friends embark on a journey through musical genres.
Tate Theatrics: Media Marketing & Advertising
Origin’s 1st Irish Festival — New York’s all-Irish theatre festival devoted to showcasing the work of contemporary Irish playwrights from around the world – presents the 2018 1st Irish Awards. Isobel Mahon’s comedy Party Face wins Best Production of the year and its star Hayley Mills wins for Best Actress.
Creative leaders of the theatre community joined together to raise money for the Dramatists Guild Foundation supporting writers through financial and artistic aid and, in some cases, emergency resources. The evening honored Hal Prince introduced by the legendary Carol Burnett. “You’re the brother I never had,” she said through tears. “Hal, we love you and if you’re looking for your glasses, they’re on your forehead.”
Tate Theatrics: Executive Producer
Straight from a critically acclaimed Los Angeles run, this special 1-hour presentation will feature a selection of songs starring Broadway and Youtube Viral Sensation (with over 3.5 millions views of Radiohead’s Creep) Carrie Manolakos (Wicked, Mamma Mia!) and Matt DeAngelis (Waitress, Hair). From Writer/Composer Brandon Beckner, Songwriter/Lyricist Steve Sobel, Music Director Eli Zoller, Stage Director Jimmy Maize.
Commercial Theater Institute (CTI), the theater industry's leading training & professional development program for those interested in producing, announces the final line up for its upcoming Marketing Seminar. The two-day course features marketing and PR executives from leading agencies, as well as digital specialists from top companies like Facebook, Google and Ticketmaster. Steve Tate is both a speaker and moderator given his vast history as both producer and media marketing and advertising executive in the theatrical field.
Tate Theatrics: Media Marketing & Advertising
"A constellation of well-known Broadway performers gathered on Friday at the Town Hall auditorium in Manhattan to sing a collection of songs about love of country and hope for the future, offering a competing vision of America to the one they associate with the country’s new president."
Tate Theatrics: Media Marketing & Advertising
"THE PLAY IS REMARKABLE in its nuanced depiction of Manke and her fellow prostitutes Basha. DEFTLY DIRECTED! The cast’s commitment brings the work’s FLASHES OF LYRICISM TO POWERFUL LIFE! BEAUTIFULLY PLAYED! THEIR LOVE IS AFFECTING IN ITS HONESTY!” – Charles Isherwood, The New York Times
Tate Theatrics: Creative Producer
Tony Award winner Alice Ripley and Aaron Lazar will lead the cast of an invitation-only reading of The Wonderful Mr. and Mrs. O'Leary, a new comedy by playwright Matte O'Brien, directed by David Alpert, and produced by Tate Theatrics.
On October, 30, 2014 Capacity Interactive presented "Digital Boot Camp for the Arts" with speaker Steve Tate presenting on "All Social is a Stage."
You guys know that there are a bunch of organized Tony Awards viewing parties in New York City . Our favorite annual house party is thrown by Steve Tate. We chatted with Steve over drinks about what makes an amazing Tony party, and what he’s planning for this year.
"Mr. Tate, 32, a graduate of the University of California, San Diego, who has his own theater producing and marketing company, tatetheatrics.com, wanted a 'regular kind of walk-up building,' rather than a fancy high-rise."
"I called this enthralling show the best new American musical since “Spring Awakening.” It told the story of Max, based on the German artist Max Beckmann, and three other interconnected people, beginning in pre-WWI Berlin and ending on Central Park West in the 1950s. Jim Bauer’s eclectic score was lush and memorable, as was Will Pomerantz’s ingenious production at Second Stage" - Jeremy Gerard
"The Blue Flower...it’s a steamer-trunk-full of worthy, often wondrous experimentation — and maybe a prospectus for a new language of musical theater."
